What better way to celebrate a birthday than with corruption, misogyny, and betrayal? It’s the Belfry Theatre’s 40th anniversary season, and the first show on the program is Speed-the-Plow, by…
Gang Signs is a Vancouver-based indie-electronic music act comprised of Matea Sarenac, Adam Fink, and Peter Ricq. Their music, once described as “slacker dance,” is an affecting combination of pulsating…
As the aphorism goes, “better late than never” — though I do feel badly for not having done so earlier. Two decades ago, I wrote an album review of Little Man in…
Art Anna Banana: 45 Years of Fooling Around with A. Banana I’ve had a love-hate relationship with bananas for quite a while. Sometimes it’s like, dang, these are so good.…
I’ll admit that when I heard the news heavy metal stalwarts Iron Maiden were releasing a new album — and a double album at that — my excitement was laced with trepidation. For all…
I never thought that William Shakespeare’s plays would be told well through contemporary dance and collective movement theatre, but in the case of DamnSpot Theatre’s production of The Wyrd Sisters,…
“Who would you bring to the end of the world?” and “What’s with the grapefruits?” aren’t questions you’d normally hear together, or questions you’d hear at all. But Markus Spodzieja…
The Martlet recently spoke with Two’s Kat Taddei and Colette Habel ahead of the show’s premiere. You can read it here. This review does contain some spoilers. As I previously wrote…