Theatre Inconnu’s latest offering is a brand-new reworking of a West Coast classic. Spit Delaney’s Island reimagines the title story of Jack Hodgins’ 1976 collection of the same name, now…
“It’s a call to revolution,” says Jimmy Tait, director of The Canadian College of Performing Arts’ (CCPA) upcoming performance of Peter Weiss’ play Marat/Sade from Oct. 22–24. Marat/Sade, its full…
In celebration of 400 years of Shakespeare, the Pacific Opera Victoria (POV) opens this season with Otello, one of Giuseppe Verdi’s most successful and challenging operas. “The role of Otello…
What better way to celebrate a birthday than with corruption, misogyny, and betrayal? It’s the Belfry Theatre’s 40th anniversary season, and the first show on the program is Speed-the-Plow, by…
I never thought that William Shakespeare’s plays would be told well through contemporary dance and collective movement theatre, but in the case of DamnSpot Theatre’s production of The Wyrd Sisters,…
“Who would you bring to the end of the world?” and “What’s with the grapefruits?” aren’t questions you’d normally hear together, or questions you’d hear at all. But Markus Spodzieja…
The Martlet recently spoke with Two’s Kat Taddei and Colette Habel ahead of the show’s premiere. You can read it here. This review does contain some spoilers. As I previously wrote…
At this year’s Victoria Fringe Festival, two shows called Two will take the stage. The humour of this coincidence isn’t lost on Colette Habel and Kat Taddei, respectively the director…
The poster for OUTstages draws the eye with a gorgeous headshot of a drag queen in pink lipstick and pearls. I was intrigued by the festival’s tagline, “Victoria’s first queer…