Theatre

Marat/Sade’s theatre of cruelty shocking, engaging

“It’s a call to revolution,” says Jimmy Tait, director of The Canadian College of Performing Arts’ (CCPA) upcoming performance  of Peter Weiss’ play Marat/Sade from Oct. 22–24. Marat/Sade, its full…

400 years of Shakespeare something to sing about

In celebration of 400 years of Shakespeare, the Pacific Opera Victoria (POV) opens this season with Otello, one of Giuseppe Verdi’s most successful and challenging operas. “The role of Otello…

Turn up for Speed-the-Plow

What better way to celebrate a birthday than with corruption, misogyny, and betrayal? It’s the Belfry Theatre’s 40th anniversary season, and the first show on the program is Speed-the-Plow, by…

Fringe Fest: Shakespeare gets ‘wyrd’

I never thought that William Shakespeare’s plays would be told well through contemporary dance and collective movement theatre, but in the case of DamnSpot Theatre’s production of The Wyrd Sisters,…

Fringe Fest: Fallout leaves a mark

“Who would you bring to the end of the world?” and “What’s with the grapefruits?” aren’t questions you’d normally hear together, or questions you’d hear at all. But Markus Spodzieja…

Fringe Fest: Two has us seeing double

The Martlet recently spoke with Two’s Kat Taddei and Colette Habel ahead of the show’s premiere. You can read it here. This review does contain some spoilers.  As I previously wrote…

UVic duo team up for Fringe Festival debut

At this year’s Victoria Fringe Festival, two shows called Two will take the stage. The humour of this coincidence isn’t lost on Colette Habel and Kat Taddei, respectively the director…

OUTstages makes a spectacular debut

The poster for OUTstages draws the eye with a gorgeous headshot of a drag queen in pink lipstick and pearls. I was intrigued by the festival’s tagline, “Victoria’s first queer…

Alanna Mitchell brings scientific perspective to Intrepid Theatre

Science, journalism, activism, and theatre — there’s something for everyone in Alanna Mitchell’s one-woman show Sea Sick, which ran May 13–14 at Metro Studio. Mitchell’s self-written and produced monologue, based on her…

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